Then of course in Tie Me Up! Tie Me Down, which is a love story that develops between a kidnapper and his victim, there’s a different pushing of extremes. But when I do something, I do it for real. Maybe that’s what bothered some people about it? Your lovemaking scenes in that film are genuinely sensuous and passionate. Why are crime and violence, blood okay, and the love of two people that are from the same sex is so scandalous? Why is that?” That was totally fine! I said, “How is this possible. But nobody paid attention to the fact that I killed somebody in the movie. I remember, at the time, with journalists and in debates that we had on television and in other forums, everybody was so scandalized about the fact that my character is homosexual and he has explicit kisses and makes love on the screen with another man. That movie, in terms of sexuality, opened a whole national discussion. I’d argue that it’s even more revolutionary. We were in a kind of a war, and we knew, very early on, that we were going to win.Ī few years later you made together, The Law of Desire, has that sense of community as well. You’re winning the space for new things, for a new way of thinking. I felt the support more than the rejection. I didn’t care because I felt like a Rolling Stone. Some of us, we were insulted on the streets, because we were doing these “dirty movies.”ĭo you remember the specific things people said to you? It was an incredible, unbelievable reaction. Some just left the theater, and others were cheering and applauding. There were people insulting us - members of the audience. Pedro Almodóvar actually helped to change the Spanish morality at the time.Īt the San Sebastian Film Festival, it was a scandal. This is a guy who, if he continues doing movies, is going to touch the very heart of Spanish morality, and he may be capable of changing it. That went to the mind of young people who wanted to break with the past and propose something new and fresh for the future … That night, actually, I remember that I thought, Oh my God, this is bigger than movies. We presented a tribe that was way more sweet, more colorful than what the regime permitted. So it was, in a way, a society that was being dreamt. Was that a world you were familiar with at the time?Īt that time, it was a very reduced community. But in Labyrinth of Passion, we see this incredibly vibrant, diverse, wild community, with sex workers, punk singers, trans people, political revolutionaries, and relationships with all sorts of different sexual configurations. Spain was still a pretty conservative country. The film was made just a few years after the death of Franco.
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I don’t know how you are supposed to behave in front of the camera.” He said, “You know how to do theater. I was 19 years old … I remember when he offered me the part, I said, “I have never done a movie.
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Pedro Almodóvar cast you in your first film, Labyrinth of Passion, when you were just a teenager. We got about halfway, because Antonio Banderas, it turns out, has a lot to say. Our plan was to go through as much of his career as we could. And starting tomorrow, New York’s Quad Cinema will be presenting a retrospective of the actor’s work, including many of his revolutionary (and controversial) early films with Almodóvar. He’s also featured in Steven Soderbergh’s highly stylized romp-sposé, The Laundromat, a fourth-wall-breaking political comedy about the Panama Papers in which Banderas plays one half of a high-living, double-talking duo of lawyers helping to conceal their clients’ billions in offshore accounts (a German-accented Gary Oldman plays his counterpart). The occasion of our talk is the fact that, all of a sudden, everything’s coming up Antonio: He stars in Almodóvar’s latest, the somewhat-autobiographical Pain and Glory, playing a variation on the director - a role for which he won a well-deserved Best Actor prize at Cannes in May. For an actor who has often starred as relatively quiet characters - be it the passionate outsiders he’s played for Pedro Almodóvar, or the tough loners he’s played for Robert Rodriguez - it’s surprising to hear how chatty Banderas can be. Photo: Ian West/PA Images via Getty ImagesĪntonio Banderas calls from a car on his way to the airport, and by the time he has to hang up, he tells me the pilot of his plane is yelling at him to turn off his phone.